T-AV · DUBAI · UAE · SINCE 2011
Creative AV engineering for events — designed, engineered, delivered.
THE BRIEF: Every show starts with a brief. the canvas is empty.
Every event starts with a conversation. We listen, we ask, we translate. Your brief becomes our spec: load plans, run sheets, kit lists, crew calls, before a single motor moves on the floor.
What we doCREATIVE DESIGN: It begins on paper.
Every show starts as a floor plan. Stage geometry, audience flow, sight lines, FOH position: debated, drafted, scaled, signed off before a flight case leaves the warehouse.
CREATIVE DESIGNRIGGING & STRUCTURES: Then trusses fly in.
Goalpost, ground support, mother grid; engineered to the venue, the kit, and the safety officer. Load plans on file, signed and stamped before the first motor moves.
RIGGING & STRUCTURESAUDIO: The room learns to listen.
Line-array tuned to the venue, time-aligned with measurement, mixed by engineers who know how to make a room sound like a record. Monitor world treated with the same care as FOH.
AUDIOLIGHTING: Light follows the cue, not the chance.
Moving heads, wash, beam and pixel; programmed to the show, not improvised on the night. Pre-vis in Depence before the rig touches the venue.
LIGHTINGVIDEO: Walls talk in pixels.
LED walls, IMAG, projection, Video Mapping and switching: pixel-mapped, color-graded, redundant where it counts. Every signal path considered before the doors open.
VIDEOFULL PRODUCTION: Every layer speaks.
Audio, lighting, video and timecode running off one show flow. Cues fire on the same clock. The first plot run on-site is a refinement, not a rehearsal.
SHOW LIVE: The room ignites.
Doors at 20:30. House lights out at 21:00. The audience moves with the show flow, every cue locked to timecode, every layer answering on the same clock. Eight hours later the cases are packed.